The Zoo Story by Edward Albee is rather simple in structure. It is position in New Yorks Central Park on Sunday afternoon in the summer. In this production only the play could be set in any greenness anywhere. The staging for the play, therefore, consists of two park benches with foliage, trees, and sky behind them. The organize never changes, and the action of the play unfolds in a one-dimensional manner, from beginning to end, in front of the audience. Everything happens in the present, which gives the play its immediate apprehension and makes the events that unfold even more shocking. As an audience member, watching the play makes one feel as if one is witnessing a crime and is directly involved; this sense of involvement is achieved by the structure of the play.Â
What makes The Zoo Story dense and difficult to coiffe is the style in which it is written. It does not fit into the purely virtual(prenominal) nor the totally absurd genres that were both popular in 1958 when Albee wrote the play.
The flying field of the Absurd was a movement that dominated the French demo after World War II, and was characterized by radical internal representation innovations. Playwrights in this genre used practically incomprehensible plots and super long pauses in order to violate conservative audiences expectations of what landing field should be. Albee took this absurd style and combined it with acute realism in order to comment on American society in the 1950s. With The Zoo Story, Albee points to French playwright Eugene Ionescos idea that human life is both fundamentally absurd and terrifying; therefore, communication through language is equally absurd. Albee is also drawing from experiential philosophy in The Zoo Story....If you want to get a full essay, order it on our website: Orderessay
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