GREEK & ROMAN LITERATURE

Roman literature include epic poetry, drama and other types of literature fashioned from classical influence, "Roman literature is very much based on Hellenic attains and models. The first work of Roman literature was a translation of the works of Homer. Many Roman plays were based on the works of Menander" (The Classic 2).

Perhaps one of the biggest influences on red-brick tragic drama is Aristotle's Poetics. In this work, the Hellenic philosopher gives a greatly detailed breakdown of the elements of disaster, "much of his categorization shapes the basis for our parole even today" (Sporre 108). Tragic heroes were larger than life and their die comes nearly from their own tragic daub, one they cannot control. The tragic flaw is important because it influence galore(postnominal) tragedies written long afterwards the fall of Greece and Rome. The tragic flaw is inherently a set off of each main character in Shakespeare's tragedies. Lear's is pride, Macbeth's is ambition, Othello's is jealousy. However, the elements of calamity outlined by Aristotle also tell us much about Greek society and worldview, "For Aristotle a tragic fall is grounded in a consistent and harmonious sense of a man's debt instrument for his nature and his actions: when the hero falls, he falls for his own failure, and back the objurgateness of his fall, working both pity and terror by the precise and relentless nature of its operations, stands the order which society and a god-informed

Cook, A. Oedipus Rex: A Mirror For Greek Drama. CA, Wadsworth Publishing Co., Inc., 1963.

"The Classic Lectures." http://www.mellow-ship.demon.co.uk/lecture_notes/classics.html Feb. 18, 1999: 1-46.

Barnet, S., Berman, M. and Burto, W. Types of Drama: Plays and Es regularizes. Massachusetts, Little, Brown and Co., 1985.

In conclusion, one can see that there are many elements of modern drama, and particularly tragedy, that need their origins in old-fashioned Greek and Roman drama. Not only are many of the themes and focuses of Greek and Roman tragedy found in dramatic tragedy throughout history, but many of the elements of drama were originated in quaint Greece and Rome.

For example, the conventions of the chorus, the deus machina, unity of action, the use of masks, and even the style of theater in which the drama is viewed have all greatly influenced modern drama. In fact, perhaps one of the biggest influences on drama from the time of Ancient Greece until the present day is that of Aristotle's Poetics, which has basically been used since the time he originated as the foundation of tragic criticism, "It is no exaggeration to say that the history of tragic criticism is a series of footnotes to Aristotle. In a fragmentary treatise usually called the Poetics, Aristotle raises almost all the points that have subsequently been argued, such as the nature of the hero, the emotional put in on the spectator, the coherence of the plot. Whether or not he gave the chasten answers, it has seemed for more than two thousand years that he asked the right questions" (Barnet et al. 341).

Of course, Miller's transition of the hero of a modern tragedy to a common man is not new in itself, since plays give care Hedda Gabler also express a middle-class heroine. However, the dramatic form of Aristotle for tragedy is still in tact. It basically argues that a tragedy should stimulate pity and fear in the audience and picture a catharsis for these emotions. The classic hero was a
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