A occasion well said will be wit in all languages; and though it whitethorn lose something in the translation, further to him who reads it in the original, 'tis still the same; he has an idea of its excellency, though it can non pass from his mind into any opposite expression or words than those in which he finds it (in Abrams 1843-1844).
The eighteenth blow was called the age of prose, though prose from Bacon and others was strong in the previous century as well. Pope offered poetry of a classical, satiric sort, tightly controlled and order at developing wit, while Samuel Johnson expressed his wit ameliorate in his prose than in his poetry. Since this was the age of prose, it is not surprising that the unused came into being in the eighteenth century and developed into a in the buff art form by the end of that century and the beginning of the next. Scholarship was much prized in this age, and Samuel Johnson showed its import when he wrote his dictionary, much as James Bo
Joseph and Charles ar brothers and are contrasted throughout. Joseph is ever so speaking moral platitudes and locomote into sentimental attitudes, but for all his preaching to others, he himself is jealous and malignant as well as dedicated to scheming. Charles is a wastrel, but he is in addition lively and cheerful. He may spend his money like it was water, but he is not greedy as is his brother and is instead generous to a fault. Critics at the time pointed out that there was nothing new in these characters, and they were perfectly right. The character and situations were much as were always found in japery of this type. Restoration comedy was refer with the foolish behavior of the wealthier classes, and that is what is found here.
The characters delineated types, with different sins represented by different persons, and this is also found here. The situations all revolve around complex plotting by different cliques to gain internal advantage over other characters in the piece. Money is a motivating factor because so many of these characters are manifestly greedy, but they do not have designs on other people's money because they do not have any of their own. This is other reason why the motivation is usually sexual and social--they expect a liaison with a specific person, but they also want to succeed in their social setting, which may be accomplished by that sexual liaison or by keeping some sexual liaison secret. What marks this play as superior to others, and what often differentiates one Restoration comedy from another, is the brilliance of the dialogue and the polished way the characters are brought forward to deliver their lines.
Tell me, ye prime adepts in Scandal's school,
These characters and those that follow are types found in the theater of the time, and Sheridan satirizes them in the names he selects, in the way they conduct their affairs, in the language they use, and in the way they speak of themselves and of one another. This play al
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