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Friday, October 12, 2012

A comparison of Contemporaries Renoir & Seurat

The painting, that is from the vivid, sun-drenched colors that Renoir favored, has as powerful diagonal line established by the white linen from the tablecloth, around that are arranged several standing and seated figures. Wood (p. 248) states that the casual air,

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"with a seemingly random gathering of figures, has all of the spontaneity of Monet's or Manet's work, but a close study of this picture reveals how carefully Renoir orchestratedhis scene, producing the pairings and groupings that order

Helen Gardner (p. 682) says of this painting that Renoir's primary interest was to concentrate over a human figure and its spatial relationship to other figures. The asymmetrical design working in on diagonals, says Gardner (p. 683), is reminiscent of Degas and Toulouse-Lautrec, "is in accordance with easy movements guided by the figures and stabilized by repeated verticals." Deep space model is at work within the painting, which falls neatly into the main currents of Impressionism. Renoir's palette included every hue from the spectrum, with hue melting into hue and producing a rich texture though simultaneously constructing solid forms organized into suave spatial rhythms (Gardner, p. 683).

The a couple of paintings are similar in theme, but radically various in terms of form and style. The sharp outlines of Seurat's figures and their apparent immobility are in decided contrast on the easy, relaxed poses of Renoir's models and friends. There is, says Wood (p. 257) a sculptural high quality in Seurat's painting which is not discovered in that of others who carried forward the Impressionist project. Seurat, although the exact same age as Renoir, falls additional correctly into the school in the Post-Impressionists.

Seurat's painting, like Renoir's shows persons at play. However, his figures are arranged additional formally, and appear frozen in place rather than caught in motion. Within the work, he transformed the illusion of natural appearance into a quite precise company composed of people and objects, both of which are solid and arranged having a mathematical pre

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